A lot of reading, a little bit of parenting, a helping of education policy, and a taste of NYC from a library school drop-out and mom of two.
Monday, February 2, 2015
Newbery Quickie: In Under the Wire
I haven't mentioned the Newbery at all, as at school we're doing a mock Caldecott only. But I must plug my favorite Newbery contenders this year: Brown Girl Dreaming and The Fourteenth Goldfish. I'm in the middle of The Crossover now and loving it - so far - maybe even more than Brown Girl Dreaming, but it skews older, although still in Newbery territory. I thought The Family Romanov was a great work of nonfiction, which especially appealed to me as I studied Russian and Russian history in college, but Newbery material? I'm not convinced.
Sunday, February 1, 2015
"Becust the pichrs toc to me" [sic]
| One first grader's opinion |
| Another first grader's ballot: "The colors poped [sic]." |
1. Draw!: 102 points (20 first place votes, 15 second place votes, 12 third place votes)
| Fourth graders liked Flashlight |
2. Flashlight: 76 points (17 first place, 11 second place, 3 third place)
3. The Iridescence of Birds: 49 points (9 first place, 8 second place, 6 third place)
4. The Right Word: Roget and His Thesaurus: 48 points (10 first place, 8 second place, 6 third place)
| A first grader gets right to the point. |
5. Viva Frida: 42 points (4 first place, 6 second place, 3 third place)
6. Nana in the City: 39 points (5 first place, 7 second place, 10 third place)
6. The Scraps Book: 39 points (4 first place, 9 second place, 9 third place)
6. A Dance Like Starlight: 39 points (5 first place, 8 second place, 8 third place)
6. Josephine: 39 points (6 first place, 6 second place, 9 third place)
7. Brother Hugo and the Bear: 33 points (4 first place, 7 second place, 7 third place)
Tuesday, January 27, 2015
The Non-Contending Contenders
I picked our school's mock Caldecott nominees based on, as I said before, personal preference combined with online buzz. I had to leave out at least some of the most-talked-about possible winners. But I also left out two books that haven't been talked about anywhere but are two of my 2014 favorites.



A Home for Mr. Emerson. Haven't you ever wanted to just dive into a book? In this biography of Ralph Waldo Emerson, which centers on his home, the illustrator shows Emerson doing just that. I love everything about this book - the text, the illustrations, and how they work together. The oversized books which appear everywhere drive home the point that Emerson's home is not just the building he lives in, but the ideas, words and books he surrounds himself with, not to mention the nearby woods, and, most of all, a caring community of neighbors. The use of different fonts for the text and for direct quotes from Emerson himself works especially well. And despite the illustrator's very British-sounding name (Edwin Fotheringham), he is, indeed, a U.S. resident, making this book Caldecott-eligible. There's a great interview with him here.

Mr. Ferris and His Wheel. The color palette of vivid blues, golds, chartreuses and purples bring to life a world recently lit up by electricity. Together the text and the illustrations also convey the excitement associated with all sorts of new technology, embodied by the World Fair, and all kinds of races to build the next biggest and/or best thing.
Of course, since there are no nominations for the real Caldecott, no short list, these two ARE contenders.
Of course, since there are no nominations for the real Caldecott, no short list, these two ARE contenders.
Friday, January 16, 2015
My Caldecott Votes
Art is a matter of personal taste. There's no getting around it. Sure, you can judge artists based on technical mastery, but when you have talented artists working in different styles, media, and palettes, a lot comes down to personal taste. Which is why awards like the Caldecott are so interesting. The committee members who award the Caldecott change every year, which means that, while there's no predicting who will win, different types of art and artists are given a chance. It also means knowing that if only the committee from year X judged in year Y, the line-up would be completely different.
So what follows is my take on our school's mock Caldecott nominees.

The Right Word: Roget and His Thesaurus by Jen Bryant, illustrated by Melissa Sweet. Sweet's work is always beautiful and intricate. I recently went to the Original Art exhibit at The Society of Illustrators and one of her works for this book was shown. It had so much layering and depth in person, it was astonishing. I love how she incorporates synonyms and words into her collages. But I keep hesitating. There's something about the art here that seems a little too busy, a little distracting. Unlike her work in Firefly July, which is simpler and more pure, somehow, or her work in Brave Girl, which her collage style fits perfectly, given that the story is about the garment industry. Finally, I know this is not supposed to be a consideration, but there's something that bothers me when an illustrator's work feels repetitive. It is nice - especially for children - to be able to recognize an illustrator's work at a glance, but sometimes it feels unoriginal.

Nana in the City by Lauren Castillo. I love this one! I love how the playful, almost childlike style complements the fact that the child is the narrator. I also like how the illustrations add to the story; for example, when the grandma gives money to a homeless person, which is not explicitly mentioned in the text. Her depiction of New York is beautiful but not completely idealized. The buildings are so tall they literally cannot be contained on the page. And the grandmother's relationship with the boy is so tender.
Flashlight by Lizi Boyd. The use of the flashlight to illuminate areas of the pictures is ingenious but I feel like the use of cut-outs as well is overkill. I feel like it actually takes away from the other elements.
The Iridescence of Birds: A Book About Henri Matisse by Patricia Maclachlan, illustrated by Hadley Hooper. This book has been growing on me. The use of the blue-gray colors capture the drabness of where Matisse grew up and the contrast with the colors and patterns of the textiles he loved is dramatic.
Josephine: The Dazzling Life of Josephine Baker by Patricia Hruby Powell, illustrated by Christian Robinson. When I saw this book, I had a sense of deja vu. Where had I seen it before? It turns out I was thinking of another book illustrated by Christian Robinson, Harlem's Little Blackbird, a biography of Florence Mills, which treats a similar topic and uses a similar color palette. Which brings me to the same complaint I had about Melissa Sweet's work. Can you tell which picture above is from which book? Nevertheless, I love the colors - mustardy yellow, mossy green, persimmon orange. The use of different fonts here is stunning and Robinson really captures a sense of movement and jazziness in still pictures. This one might be my favorite!
Viva Frida by Yuyi Morales and Tim O'Meara (photographer). Okay, I know it's not a technical term, but this book creeped me out!
Brother Hugo and the Bear by Katy Beebe, illustrated by S.D. Schindler. Original with a wonderful incorporation of the style of medieval illuminated manuscripts which fits the text perfectly.
So in the end, out of these, I think I'd rank Josephine or Nana in the City first, followed by The Right Word. Tune in next time to find out what I think of other contenders that didn't make it into our school competition.
So what follows is my take on our school's mock Caldecott nominees.

The Right Word: Roget and His Thesaurus by Jen Bryant, illustrated by Melissa Sweet. Sweet's work is always beautiful and intricate. I recently went to the Original Art exhibit at The Society of Illustrators and one of her works for this book was shown. It had so much layering and depth in person, it was astonishing. I love how she incorporates synonyms and words into her collages. But I keep hesitating. There's something about the art here that seems a little too busy, a little distracting. Unlike her work in Firefly July, which is simpler and more pure, somehow, or her work in Brave Girl, which her collage style fits perfectly, given that the story is about the garment industry. Finally, I know this is not supposed to be a consideration, but there's something that bothers me when an illustrator's work feels repetitive. It is nice - especially for children - to be able to recognize an illustrator's work at a glance, but sometimes it feels unoriginal.
Draw! by Raul Colon. Technically lovely, this style - and palette - do not appeal to me. I can't cite a specific reason!
The Iridescence of Birds: A Book About Henri Matisse by Patricia Maclachlan, illustrated by Hadley Hooper. This book has been growing on me. The use of the blue-gray colors capture the drabness of where Matisse grew up and the contrast with the colors and patterns of the textiles he loved is dramatic.
Josephine: The Dazzling Life of Josephine Baker by Patricia Hruby Powell, illustrated by Christian Robinson. When I saw this book, I had a sense of deja vu. Where had I seen it before? It turns out I was thinking of another book illustrated by Christian Robinson, Harlem's Little Blackbird, a biography of Florence Mills, which treats a similar topic and uses a similar color palette. Which brings me to the same complaint I had about Melissa Sweet's work. Can you tell which picture above is from which book? Nevertheless, I love the colors - mustardy yellow, mossy green, persimmon orange. The use of different fonts here is stunning and Robinson really captures a sense of movement and jazziness in still pictures. This one might be my favorite!
The Scraps Book: Notes from a Colorful Life by Lois Ehlert. Beautiful and so interesting. My younger daughter says Lois Ehlert's books are boring but this book about how she makes those boring books is interesting! But since it is an amalgam of her earlier work, a collage of collages in a way, I feel like it is lacking an element of originality that is award-worthy.
Viva Frida by Yuyi Morales and Tim O'Meara (photographer). Okay, I know it's not a technical term, but this book creeped me out!
A Dance Like Starlight: One Ballerina's Dream by Kristy Dempsey, illustrated by Floyd Cooper. Painterly. The expression on the girl's face is one of sheer joy.
Brother Hugo and the Bear by Katy Beebe, illustrated by S.D. Schindler. Original with a wonderful incorporation of the style of medieval illuminated manuscripts which fits the text perfectly. So in the end, out of these, I think I'd rank Josephine or Nana in the City first, followed by The Right Word. Tune in next time to find out what I think of other contenders that didn't make it into our school competition.
Monday, January 12, 2015
The Standings
Most of the votes so far come from second-graders. They are old enough to understand the project and read the instructions, yet they are not in a "testing grade." Sad to say, but that is certainly a factor.
In order of how they currently stand in the voting:
2 The Right Word: Roget and His Thesaurus: 33 points (8 first place, 2 second place, 5 third place)
3. Flashlight: 31 points (4 first place, 8 second place, 3 third place) (This one moved from a distant last place at the end of last week.)
5. Josephine: 28 points (5 first place, 4 second place, 5 third place)
6. Viva Frida: 27 points (6 first place, 3 second place, 3 third place)
7. Brother Hugo and the Bear: 26 points (4 first place, 5 second place, 4 third place)
8. The Scraps Book: 25 points (3 first place, 5 second place, 6 third place)
8. A Dance Like Starlight: 25 points (4 first place, 3 second place, 7 third place)
9. The Iridescence of Birds: 22 points (3 first place, 5 second place, 3 last place)
Wednesday, December 24, 2014
The Mockdecott is Coming!
I am the volunteer librarian at my daughters’ K-5 school. The library does NOT get a lot of love and support from the administration, and even the teachers who love it are pressed for time. However, I’m making our first attempt at a mock Caldecott this year. I picked our 10 nominees based mostly on online "buzz," . I also wanted some diversity of subjects, genre, illustrators, artistic styles and media, and wordless books as well as those with text. In a school that is nearly half Latino and a quarter black, I wanted the students to see themselves reflected either in the subject matter and/or the authors and illustrators themselves in at least some of the books. Of course, those are all factors that the committee is not supposed to consider. But my goals are a bit different. Here is my list, in no particular order:
Draw! by Raul Colon
The Iridescence of Birds: A Book About Henri Matisse by Patricia Maclachlan, illustrated by Hadley Hooper
Josephine: The Dazzling Life of Josephine Baker by Patricia Hruby Powell, illustrated by Christian Robinson
The Scraps Book: Notes from a Colorful Life by Lois Ehlert
Viva Frida by Yuyi Morales and Tim O'Meara (photographer)
A Dance Like Starlight: One Ballerina's Dream by Kristy Dempsey, illustrated by Floyd Cooper
I'm asking the students - and teachers - to rank their top three. I'll rank mine in an upcoming post. What are yours? Or do you have other favorites this year?
Do you do a mock Caldecott at your school? Are your criteria for choosing nominees different from those considered by the real Caldecott committee?
Do you do a mock Caldecott at your school? Are your criteria for choosing nominees different from those considered by the real Caldecott committee?
Wednesday, December 17, 2014
What Is Wrong With This Picture?
I'm running a mock Caldecott this year!!
I haven't been posting much because I'm now basically running my daughters' school library. As a volunteer. And I have wanted to tell you about all the interesting things I've been doing there, such as our "guess the theme" competition and the 4th Grade Library Club, but I've been too busy actually doing them to write about them.
But I couldn't resist posting this. In preparation for our mock Caldecott (or our Mockdecott, as my husband christened it), I did some research about the award.
And then, when wrapping various Chanukah and birthday gifts, I came across this:
Let's go in for a close-up, shall we?
Do you see what I see? Tell me in the comments!
I let Amazon, where I purchased the book, know, and I emailed Grace Lin as well. Let's see if I hear back.
I haven't been posting much because I'm now basically running my daughters' school library. As a volunteer. And I have wanted to tell you about all the interesting things I've been doing there, such as our "guess the theme" competition and the 4th Grade Library Club, but I've been too busy actually doing them to write about them.
But I couldn't resist posting this. In preparation for our mock Caldecott (or our Mockdecott, as my husband christened it), I did some research about the award.
And then, when wrapping various Chanukah and birthday gifts, I came across this:
Let's go in for a close-up, shall we?
Do you see what I see? Tell me in the comments!
I let Amazon, where I purchased the book, know, and I emailed Grace Lin as well. Let's see if I hear back.
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