Babies, toddlers and older children are all fascinated by babies. Babies love to look at faces, but are especially drawn to those of other babies (or even their own in the mirror). Toddlers, many of whom are or are about to become older siblings, are proud that they can do more than babies, yet also so maternal and paternal. When I walked my firstborn down the streets of New York I often felt like the Pied Piper of Hamelin; she was usually crying, resulting in a constant parade of concerned toddlers following us saying, "Baby cry! Baby cry!" And even my soon-to-be-six-year-old loves seeing her friends' new siblings.
Although I have a pretty standard set of books I choose from when I give new baby gifts, the one that every parent has told me was a hit with their child, without fail, is DK's Baby Talk. The photographs (not illustrations) of babies of different ethnicities doing every day things such as eating and sleeping combine with the large flaps just-sized for little fingers to add up to a perfect first book.
For baby-obsessed toddlers and preschoolers, my new favorite is Everywhere Babies by Susan Meyers and illustrated by Marla Frazee (yes, I'm on a Marlee Frazee jag). The rhyming text is simple, describing different kinds of babies and the different things they do (crawl, splash, laugh) and follows them from birth through their first birthdays. The illustrations, which also show babies of different ethnicities, are just detailed enough to reward repeated readings but not too detailed as to be too busy (or oongapotchka, as we say). It's my three-year-old's new favorite, too - she asked me to read it four or five times today. In a row.
What are your favorite books for and about babies?
A lot of reading, a little bit of parenting, a helping of education policy, and a taste of NYC from a library school drop-out and mom of two.
Showing posts with label Marla Frazee. Show all posts
Showing posts with label Marla Frazee. Show all posts
Wednesday, May 11, 2011
Wednesday, May 4, 2011
(Gentle) Sarcasm in a Picture Book
How do pictures and words interact in a picture book? In some, like The Seven Silly Eaters by Mary Ann Hoberman and illustrated by Marla Frazee, there are details in the illustrations which are never mentioned in the text. In A Couple of Boys Have the Best Week Ever, another Marla Frazee work (this time she is both the author and the illustrator) the pictures and text work together to produce sarcasm and humor perfect for children ages 5-7 (and their parents).
James and Eamon go to stay with Eamon's grandparents for a week so they can attend a nature camp nearby. As Eamon waits for James's arrival, his grandpa Bill extols the virtues of nature. "Eamon thought this chat was fascinating," says the text. The accompanying illustration, however, tells us us quite the opposite. The fact that "James was very sad when his mother drove away" is belied by the picture of James happily waving and shouting bye to his mom. And so on, much to the amusement of the reader.
Just like a toddler who finds the box the present came in more interesting than the gift itself, James and Eamon find much more pleasure in each other's company than in nature camp. In this story of friendship, the fruits of boredom and how children truly can amuse and educate themselves, the gently sarcastic interplay between the illustrations and the text is the icing on the cake.
What is your favorite example of how the words and text in a picture book complement each other?
James and Eamon go to stay with Eamon's grandparents for a week so they can attend a nature camp nearby. As Eamon waits for James's arrival, his grandpa Bill extols the virtues of nature. "Eamon thought this chat was fascinating," says the text. The accompanying illustration, however, tells us us quite the opposite. The fact that "James was very sad when his mother drove away" is belied by the picture of James happily waving and shouting bye to his mom. And so on, much to the amusement of the reader.
Just like a toddler who finds the box the present came in more interesting than the gift itself, James and Eamon find much more pleasure in each other's company than in nature camp. In this story of friendship, the fruits of boredom and how children truly can amuse and educate themselves, the gently sarcastic interplay between the illustrations and the text is the icing on the cake.
What is your favorite example of how the words and text in a picture book complement each other?
Sunday, April 24, 2011
A Mom with a Hobby
In most, if not all, of the books my kids and I have read, the mothers are primarily or solely caregivers. Yes, in the Ramona series Mrs. Quimby gets a part-time and then full-time job (is "liberated!" as her daughter Beezus says), but, although she seems to enjoy her work well enough, she does it out of economic necessity. In picture book after picture book, the moms give hugs and kisses, prepare meals, put children to bed, and tend to all the other daily minutiae of childcare, but do not seem to be doing anything sheerly for their own pleasure.
Enter Mrs. Peter, the cello-playing harried mother of seven in The Seven Silly Eaters by Mary Ann Hoberman and illustrated by my new favorite Marla Frazee. Although the story is, as the title says, silly - the seven children each eat only one item - and their mother is a total pushover, the clever rhymes and the delightful illustrations make it utterly enjoyable. As the family grows, the mom still manages to find time for her passion. Even as one of the kids dumps oatmeal on the cat (which always makes me think of the song from The Fantasticks which laments, "Why did the kids put jam on the cat? Strawberry jam all over the cat? Why would the kids do something like that? They did it 'cause we said no!"), Mrs. Peters does not get up from her cello but yells at the offender across the room. Although the cello disappears from the illustrations midway through the story as Mrs. Peters is overwhelmed by her household, in the end, she takes it up again.
Of note (pun intended) is the fact that the cello is never mentioned in the text - we only see it in those charming illustrations. Whose idea was it, I wondered, to include the cello? The author's or the illustrator's?
So I emailed Ms. Frazee, who graciously wrote back within hours. Apparently, I was not the first person with these questions. Linda Urban had previously "interviewed" Ms. Frazee by email and reprinted the conversation, which included this topic, on her blog, Crooked Perfect (full links included below). Ms. Frazee gave exactly the answer I was hoping for: she put the cello in because she thought the mom needed to be defined by something other than her status as a mother alone. And for that, I, for one, am grateful.
Can you think of any other picture books or early chapter books where the mother has a hobby, a passion, an interest besides her children?
Here are the links to the full conversation. The last link is the one that discusses The Seven Silly Eaters specifically, while the others talk more generally about the process of illustrating picture books, including the collaboration with the author and editor and about what makes a book a picture book. I highly recommend the entire series. Enjoy!
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